Next year will mark the 25th Anniversary of the Smithsonian’s US National Postal Museum. And it was 25 years ago that Rigsby Hull, working for legendary Houston real estate developer Gerald D Hines, helped announce the Museum’s Grand Opening, and reinterpreted the newly restored architectural icon in a limited-edition print.
Côtes du Coeur is one of the nation’s premiere fundraising campaigns: a series of spectacular events hosted annually by American Heart Association that has raised over $30 million for cardiovascular research/education since its inception 26 years ago. The signature black-tie Côtes du Coeur Gala is the largest and most prestigious of its kind; the top fundraising gala in the nation for AHA (with this year’s Gala breaking all historic records). Rigsby Hull’s dramatic motion graphics for this Gala—projected on a Texas-size 100-foot-wide screen—tell the organization’s story while creating a vividly dynamic visual backdrop for the evening's festivities.
Find our “Taco Trucks on Every Corner” project in the newly-released Social Science/Law textbook, Keeping the Republic, by Barbour & Wright. The book’s stated aim, “teaching students to think critically about American politics—exploring who gets what, and how, and the twin themes of power and citizenship”, is one we wholeheartedly support.
Last week US Department of Homeland Security issued a request for proposals to design and build the proposed southwest border wall between the US and Mexico. Collaborating with Architecture Lobby, Rigsby Hull called on architects, engineers, and builders to say NO to a project that violates the very purposes these professions exist to serve. For more on the #NotOurWall initiative, read here. For designers envisioning how to make the wall a good thing, please read here.
Philadelphia is brimming with good design, the best of which will be showcased in the Philadelphia Biennial Design Awards. The 5-judge curatorial panel includes design luminaries Stephen Frykholm (Herman Miller), Su Matthews Hale (Lippincott San Francisco), Cheryl Heller (SVA's Design for Social Innovation), Brian Singer (Pinterest and formerly Facebook), and Lana Rigsby (Rigsby Hull).
Created by Rigsby Hull in collaboration with neuroscientist Dr David Eagleman, this project explores one of the biggest questions of our time: How do media shape messages?
Comprised of an illustrated essay, six video shorts, and a live event series, A Communicator’s Guide is actually two parallel investigations.
Haptic Brain is a scientific examination of how human brains process information and how touch-sense shapes decision making, both consciously and subconsciously. Dr Eagleman has authored several best-selling books and a PBS series on the brain; he is the project’s Science Advisor and narrates the explanatory videos. The second inquiry, Haptic Brand, looks specifically at communications that incorporate tactile media effectively to build global brands.
Case studies from three of the world’s most highly regarded—Apple, BMW, and World Wildlife Fund—highlight branded communications that use ink-on-paper to deliver memorable, emotionally resonant messages to worldwide audiences. Lana Rigsby, founding partner of Rigsby Hull, conceived, wrote, and directed the project. A Communicator’s Guide to the Neuroscience of Touch was presented jointly by Eagleman and Rigsby in a series of live events throughout the US during 2015/2016. The project was underwritten by Sappi, one of the world’s foremost producers of pulp and fine papers.
Haptic Brain overviews basic haptic science and examines two mental processes (decision making and sensory processing) with the aim of explaining the various ways that touch influences human brains. An illustrated essay traces haptic neuroscience from early 1950s’ experiments through various contemporary studies exploring how human brains “cross process” sensory input. In six short videos, Dr Eagleman details the ideas and experiments underlying the science. Comparing Homer’s bards, stone tablets, papyrus scrolls, paper, and online technologies, this project teases out how various media color perception of the messages they carry. Eagleman Labs’ own 2015 study goes one step further, comparing online media with both high- and low-quality paper and isolating the effects of media quality on perception and memory.
Haptic Brand looks at how some of the world’s best-loved brands use touch to communicate. Featuring case studies from globally respected companies Apple, BMW, and World Wildlife Fund, three vignettes illustrate ways in which great brands use tactile media to reach their audiences’ hearts and minds. One story details an inventive, small-batch application deployed effectively by BMW to place readers, almost literally, in the driver’s seat of “the ultimate driving machine”. Another reveals how Apple’s ads and product packaging create haptic experiences that differentiate and define Apple’s brand. The final story is a glimpse of how World Wildlife Fund uses ink-on-paper to attract funding for places and creatures its supporters are unlikely ever to see in person. Haptic Brand endeavors to provide communicators with useful guidance in navigating the sea of media options, and about when and why print is often still the most effective choice.
A Communicator’s Guide is an lavishly produced 64-page extended essay with interactive links to six videos entitled Neuroscience Shorts.
These videos were created for readers who want to explore more deeply the concepts presented in the book. Each 3-minute segment expands on the book’s themes, citing decades of scientific research beginning with Harry Harlow’s infamous 1950s studies with monkeys and ending with Eagleman Labs’ own 2015 study on the cognitive affects of media quality. Neuroscience Shorts were co-written by David Eagleman and Lana Rigsby and narrated by Eagleman.
Video 1: The Neuroscience of Touch
Video 2: The Necessity of Touch
Video 3: Embodied Cognition and Communicative Touch
Video 4: Perceived Ownership and Touch
Video 5: The Effect of Incidental Touch
Video 6: How the Medium Shapes the Message
A Communicator’s Guide adapts images from the classic Atlas d’Anatomie Humaine et de Chirurgie by Bourgery & Jacob, 1831-1854. This book (The Atlas of Human Anatomy and Surgery), is a magnum opus of eight massive “tomes” comprising the world’s first comprehensive surgical guide. French illustrator Nicolas Jacob created the spectacular hand-colored, life-size lithographs—today considered the most beautiful in all of medical literature. For this project, the brains in Jacobs’ illustrations are replaced with intricately-rendered interconnected neural networks created by Jonathan Hull in 2015.
Source: Jacob’s original illustrations in housed the Thomas Fisher Rare Book Library at the University of Toronto.
Science Modern, this project’s signature font, was redrawn from Jules Didot’s historic Specimen de la Nouvelle Foundrie, 1842. Historically the Didot family was to publishing arts as the Bach family was to music: four successive generations of artistic geniuses who dominated the field for more than 200 years. Jules’ father, Pierre, established printing presses in the Louvre and created its most celebrated books. His uncle, Fermin, along with Giambattista Bodoni, designed and established the “Modern” typeface classification and developed the time-honored font Didot. Ever the innovator, Jules replaced Didot’s sharp edges with rounded ones, creating the lesser-known but equally beautiful font used in Atlas d’Anatomie Humaine et de Chirurgie. James Puckett, Dunwich Type Foundry, redrew it exclusively for this project in 2015.
Source: Rigsby Hull located a 1842 original of Jules Didot's Specimen de la Nouvelle Foundrie in the Bibliothèque Nacional de France and, after determining that the font has never been commercialized, commissioned Dunwich Foundry to recut it as faithfully as possible from available images.
Paper and Production
A Communicator’s Guide was printed by Classic Color on McCoy Silk, a premium coated paper made by Sappi, one of the world’s foremost producers of pulp and fine paper. The 64-page book incorporates a variety of specialized print techniques that demonstrate the paper’s performance: One page features a startlingly lifelike human hair dropped onto the page along with an invitation to “Touch this”.
A 48" gatefold opens to reveal a life-size diagram of human sensory systems, from the top of the skull to the base of the spine. Other pages feature embossing, foil stamping, tactile varnishes and other enhancements that underscore the book’s message and make handling it a rich touch experience.
Incognito: The Secret Lives of the Brain; David Eagleman (Vintage 2012)
Touch: The Science of Hand, Heart and Mind; David Linden (Viking 2015)
The Reading Brain in the Digital Age: Why Paper Sill Beats Screens; Ferris Jabr (Scientific American, November 2013)
The Hand, an Organ of the Mind: What the Manual Tells the Mental; Zdravko Radman (MIT Press, 2013)
Proust & The Squid: The Story and Science of the Reading Brain; Maryanne Wolf (Harper Perennial 2008)
Hamlet’s Blackberry: Why Paper is Eternal; William Powers (Harvard University Press, 2007)
The Feeling of What Happens: Body and Emotion in the Making of Consciousness and Descartes Error: Reason, Emotion and the Human Brain; Antonio Damasio (Mariner Books 2000 and Penguin Books 2005, respectively)
Understanding Media: The Extensions of Man; Marshall McLuhan with introduction by Lewis H Lapham (MIT Press 1994)
A Natural History of the Senses; Diane Ackerman (Vintage 1991)